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Polymeric Materials in Modern and Contemporary Art, 3rd Edition

A special issue of Polymers (ISSN 2073-4360). This special issue belongs to the section "Polymer Analysis and Characterization".

Deadline for manuscript submissions: 31 May 2025 | Viewed by 3835

Special Issue Editors


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Guest Editor
Institute of Science and Technology in Art, Academy of Fine Arts Vienna, Vienna, Austria
Interests: heritage science; modern-contemporary art; ageing studies; analytical chemistry; polymer chemistry; organic material analyses; method development; data analyses; preservation of cultural heritage; indoor and outdoor museums
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Guest Editor
Department of Environmental Sciences, Informatics and Statistics, Università Ca' Foscari Venezia, Venice, Italy
Interests: heritage science; conservation science; modern art; analysis of oil paints; paint degradation; conservation; diagnostics; analytical techniques

Special Issue Information

Dear Colleagues,

The study of polymeric materials in modern and contemporary art, such as binders, varnishes, adhesives, plastics, foams, optical fibers, etc., and their preservation is highly challenging. An ever-evolving array of polymers is adapted to artistic and industrial needs by manufacturers and individual artists, with consequent wide variation in formulations. As these materials age and degrade, their chemical stability, appearance, and mechanical properties can be compromised. This fact motivates research into preventive and interventive conservation techniques. Polymeric material characterization is key to these endeavors and is often challenging. 

Evolving scientific characterization methods, whether in situ or on extracted micro-samples and enhanced data analytical techniques contribute to modern and contemporary art study in exciting new ways. 

This Special Issue will highlight the latest scientific and technical research into investigations of polymeric materials widely found in modern and contemporary art from a broad perspective. Contributions are invited on, but not limited to, these subjects: 

  • Polymeric materials in modern and contemporary art;
  • Matrix and additive identification and their interaction;
  • New technologies and evaluation methods;
  • Ageing and degradation mechanisms and phenomena;
  • Influence of VOCs on polymeric materials;
  • Advances in conservation treatments;
  • Effectiveness of new cleaning methods;
  • Preservation.

Dr. Valentina Pintus
Dr. Francesca Izzo
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Polymers is an international peer-reviewed open access semimonthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2700 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • polymeric materials in modern and contemporary art
  • matrix and additive identification and their interaction
  • new technologies and evaluation methods
  • aging and degradation mechanisms and phenomena
  • influence of VOCs on polymeric materials
  • advances in conservation treatments

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Published Papers (2 papers)

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Research

14 pages, 11251 KiB  
Article
Josef Albers’ Structural Constellations: Investigating Formulations of Laminated Plastics Through Correlating the Industrial Literature with Scientific Analysis
by Maria Kokkori, Hortense de La Codre and Madeline C. Meier
Polymers 2025, 17(5), 681; https://doi.org/10.3390/polym17050681 - 4 Mar 2025
Viewed by 524
Abstract
Josef Albers’ Structural Constellations series, created between 1948 and 1966, represents a pioneering exploration of plastic laminates as an artistic medium. Leveraging the unique properties of these materials, including their smooth surfaces, vibrant coloration, and precision in router engraving, Albers created machine-engraved works [...] Read more.
Josef Albers’ Structural Constellations series, created between 1948 and 1966, represents a pioneering exploration of plastic laminates as an artistic medium. Leveraging the unique properties of these materials, including their smooth surfaces, vibrant coloration, and precision in router engraving, Albers created machine-engraved works featuring intricate geometric compositions. This study combines archival research with scientific analysis to examine over fifty artworks and archival samples from the Josef and Anni Albers Foundation (1948–1970). Fourier-transform infrared (FTIR) spectroscopy and digital microscopy were employed to identify polymer types and analyze surface morphologies. Chemometric methods were applied to process the substantial dataset, offering key insights into Albers’ evolving material choices and their impact on the visual and structural properties of his works. Full article
(This article belongs to the Special Issue Polymeric Materials in Modern and Contemporary Art, 3rd Edition)
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21 pages, 2537 KiB  
Article
Mattel’s ©Barbie: Preventing Plasticizers Leakage in PVC Artworks and Design Objects through Film-Forming Solutions
by Andrea Macchia, Livia Marinelli, Francesca Irene Barbaccia, Tilde de Caro, Alice Hansen, Lisa Maria Schuberthan, Francesca Caterina Izzo, Valentina Pintus, Katiuscia Testa Chiari and Mauro Francesco La Russa
Polymers 2024, 16(13), 1888; https://doi.org/10.3390/polym16131888 - 1 Jul 2024
Viewed by 1674
Abstract
The main conservation problem of p-PVC artworks is phthalate-based plasticizer migration. Phthalate migration from the bulk to the surface of the materials leads to the formation of a glossy and oily film on the outer layers, ultimately reducing the flexibility of the material. [...] Read more.
The main conservation problem of p-PVC artworks is phthalate-based plasticizer migration. Phthalate migration from the bulk to the surface of the materials leads to the formation of a glossy and oily film on the outer layers, ultimately reducing the flexibility of the material. This study aimed to develop a removable coating for the preservation of contemporary artworks and design objects made of plasticized polyvinyl chloride (p-PVC). Several coatings incorporating chitosan, collagen, and cellulose ethers were assessed as potential barriers to inhibiting plasticizer migration. Analytical techniques including optical microscopy (OM), ultraviolet/visible/near-infrared spectroscopy (UV/Vis/NIR), Fourier transform infrared spectroscopy with attenuated total reflection (FTIR-ATR), and scanning electron microscopy (SEM) were utilized to evaluate the optical and chemical stability of selected coating formulations applied to laboratory p-PVC sheet specimens. Subsequently, formulations were tested on a real tangible example of a design object, ©Barbie doll, characterized by the prevalent issue of plasticizer migration. Furthermore, the results obtained with the tested formulations were evaluated by a group of conservators using a tailored survey. Finally, a suitable coating formulation capable of safeguarding plastic substrates was suggested. Full article
(This article belongs to the Special Issue Polymeric Materials in Modern and Contemporary Art, 3rd Edition)
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