Search Results (9)

A novel self-healing brass powder/waterborne acrylic decorative coating for wooden substrates was developed, in which γ-methacryloxypropyltrimethoxysilane (KH570)-modified brass powder (with a coupling agent concentration of 6% and reaction solution pH of 5) was employed as the filler, and melamine-formaldehyde (MF) resin-encapsulated water-based paint microcapsules were utilized as the healing agent. The brass powder content and the core–wall ratio of the topcoat microcapsules were identified as the predominant factors affecting both the optical and mechanical properties of the self-healing brass powder/waterborne acrylic coating on Basswood surfaces. Therefore, the brass powder content was selected as the primary influencing factor. With concentration gradients of 0.5%, 1%, 3%, 5%, 7%, 9%, and 10%, and under constant conditions of 3% microcapsule content and room temperature curing, the effect of brass powder content on the properties of self-healing microcapsule coatings with different core–wall ratios was investigated. The waterborne acrylic wood coating containing 3% brass powder and 3% microcapsules with a core–wall ratio of 0.58:1 exhibited superior overall performance. This optimized formulation not only maintained excellent optical properties but also significantly enhanced mechanical performance, while preserving outstanding aging resistance, liquid resistance, and self-healing capability. The coating demonstrated the following comprehensive performance metrics: a glossiness of 24.0 GU, color difference (ΔE) of 2.13, chromatic aberration (ΔE*) of 13.68, visible light reflectance of 0.5879, dominant wavelength of 587.47 nm, visible light transmittance of 74.33%, pencil hardness of H grade, impact resistance of 2 kg·cm, adhesion rating of class 2, surface roughness of 2.600 μm, along with excellent aging resistance and liquid resistance properties, while achieving a self-healing efficiency of 19.62%. The coating also exhibited a smooth and uniform microscopic morphology, with the chemical bonds of both the modified brass powder and microcapsules remaining intact within the coating matrix. Full article

As a core structure within the Qing Changling Mausoleum, a UNESCO World Cultural Heritage site, Long’en Hall preserves a relatively complete set of Qing dynasty imperial lacquered furniture. These furnishings provide critical physical evidence for studying Qing dynasty sacrificial rituals and the craftsmanship of court lacquerware. However, limited research has been conducted on the surface finishing techniques of such furnishings, posing challenges to their conservation and accurate restoration. This study focuses on representative furnishings from Long’en Hall—including an offering table, an incense pavilion, a throne, and a poke lamp—and employed a multi-method analytical approach comprising fluorescence microscopy (FM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), X-ray photoelectron spectroscopy (XPS), and Fourier-transform infrared (FTIR) spectroscopy. The analysis was conducted on the following two levels: the lacquer layer structure and material composition. The results show that the furnishings in the Long’en Hall adopt the typical structure of “lacquer ash layer–color lacquer layer”, and the color lacquer layer is composed of raw lacquer, tung oil, animal glue, and other natural organic ingredients as film-forming materials, supplemented with inorganic mineral pigments such as red lead (Pb₃O₄) and Au metal, which constitutes a stable organic–inorganic composite structure with the lacquer ash layer. The multi-analysis results show a good complementary and cross-corroboration relationship, providing the necessary technical support and a theoretical reference for Qing dynasty palace lacquer wood furniture as cultural relics worthy of scientific protection and imitation. Full article

The wooden lacquerware unearthed from the Zhou Dynasty (1046–771 BCE) Zeng Cemetery of Guojiamiao in Hubei Province, China, holds significant cultural value. Although the artifacts retain intact lacquer films, the wooden bodies exhibit high moisture content and severe decay, necessitating immediate dehydration and reinforcement. The characterization of the samples was carried out using microscopy, SEM-EDS (Scanning Electron Microscopy—Energy Dispersive Spectrometry), XRD (X-Ray Diffraction), Raman spectroscopy, and THM-Py-GC/MS (Thermally Assisted Hydrolysis–Methylation Pyrolysis–Gas Chromatography/Mass Spectrometry) to analyze their physical and chemical properties, while moisture content was assessed through the loss-on-drying method. Findings reveal that the wooden structures of the dou and bow are made from Catalpa wood and Sawtooth oak, respectively, with a moisture content reaching 274%. The lacquer film comprises three layers: a mortar layer, a lacquer layer, and a cinnabar-containing red pigment layer. The purpose of this study is to investigate the material properties of lacquered wood artifacts, focusing on the application of advanced analytical techniques to assess their condition and composition, offering a foundation for effective conservation strategies for these cultural relics. Full article

Stabilising the natural colour of wood species exposed to light in indoor conditions is a challenge that could be better addressed based on a deeper understanding of the occurring phenomena and influencing factors. This paper investigates comparatively the light-induced colour changes for three hardwood species, namely, European maple (Acer pseudoplatanus L.), European ash (Fraxinus excelsior L.) and European walnut (Juglans regia L.), as well as the influence of finishing with three types of clear, colourless waterborne lacquers: acrylic-polyurethane (F1), acrylic (F2) and polyurethane (F3) on their colour stability. Colour measurements in the CIELab system in conjunction with an artificial accelerated ageing test under the action of UV-VIS radiation, simulating natural light passing through window glass, and two types of test samples were employed to highlight the influence and contributions of the wood substrate and of the coating films to the global colour modifications. Coating films applied on 1 mm clear glass slides were employed as a sort of “detachable” finish for this purpose. Direct exposure to UV-VIS light caused visible colour changes for both uncoated and coated wood surfaces, the values of the calculated colour differences (ΔE) after a 72 h exposure being dependant on both the wood species and the coating material. Excepting two situations for walnut, statistically significantly higher colour differences were obtained for the uncoated samples: maple (9.36 units), ash (8.39 units), walnut (6.20 units), compared to the coated ones: maple (4.92–5.71 units), ash (2.25–3.94 units), walnut (4.74–7.70 units). The wood substrates underlying the coating films were found to bring the maximum contribution to the overall colour changes in the clear coated surfaces, while the coating films employed in this research demonstrated a fairly good colour stability to UV-VIS light exposure, with maximum colour changes (∆E) up to only 1.30 units. Overall, the wood species and the type of coating were found as influencing factors in interaction with the light-induced colour changes in wood surfaces in indoor conditions. Full article

The protection and decorative value of raw wood-based boards with various coatings can be enhanced during the service life of furniture using surface treatment techniques. In this study, selected transparent, pigmented polyurethane email finish and thin foils, commonly used in furniture, were used for surface treatments of medium-density fibreboards with a thickness of 18 mm. Water-borne finish with polyurethane–acrylate resin, solvent-borne finish with polyacrylate resin, and finish based on native oil and waxes, as well as pigmented polyurethane email finish, were used on veneered medium-density fibreboards. The thin foils (polyvinyl chloride, polyethylene terephthalate, and lacquered acryl film) were used for raw medium-density fibreboards. Several resistance surface properties were investigated. It was found that the hardness and resistance to impact were very much related to the interactions between the coating film or thin foil and the substrate. The type of surface finish had a substantial impact on the coating and foil’s resistance qualities, such as resistance to mould and cold liquids. Full article

Waterborne polyurethane (WPU) is a waterborne coating with excellent physicochemical properties. Its deficiencies of water resistance, chemical resistance, staining, and hardness have limited the wide application of polyurethane in the wood lacquer market. In this study, polycarbonate diols (PCDL) were used as soft segments and WPCU was modified by cross-linking using Trimethylolpropane (TMP) to prepare polycarbonate type WPU (WPCU) with cross-linked network structure. The new wood lacquer was prepared by adding various additives and tested by applying it on wood board. The successful synthesis of WPCU was determined by FTIR testing, and the cross-linking degree of WPCU was probed by low-field NMR. The viscosity of the cross-linked WPCU emulsion showed a decreasing trend compared to the uncross-linked WPCU emulsion, and WPCU-2 had the smallest particle size. Compared with the uncrosslinked WPCU film, the crosslinked WPCU film had lower water absorption (2.2%), higher water contact angle (72.7°), excellent tensile strength (44.02 MPa), higher thermomechanical, and better water and alcohol resistance. The effect of crosslinker content on the microphase separation of WPCU chain segments on the surface roughness of the film was investigated by SEM. The wood paint prepared by WPCU emulsion has good dry heat resistance, chemical resistance, and adhesion, and the hardness of the wood paint when the TMP content is 3% reaches H. It also has good resistance to sticky stains, which can be used to develop new wood lacquer. Full article

Whether modified poplar can obtain a qualified or even excellent finishing effect on European and American furniture is worthy of deep study. To evaluate whether the conventional non-transparent coating process is suitable for modified poplar, a multi-level hybrid orthogonal experiment method was carried out to start research on how factors affect the paint film performance of the non-transparent coating process. The effect of experimental factors and levels on paint film performance is pointed out, and the optimal factors and levels are found. Parameter optimization of the polyurethane non-transparent finishing process based on modified poplar is carried out. An application basis was provided for the extensive use of modified poplar wood as a substrate in the European and American furniture markets. The conclusions are: (1) gloss of paint film can be improved by increasing the number of nitrocellulose (NC) lacquer transparent topcoats, (2) adhesion and thickness of paint film can be improved by polyurethane (PU) sealing primer, (3) the initial paint film’s abrasion is influenced efficiently by the coating process and coating sanding. PU sealing primer has an efficient influence on the later abrasion of paint film. The effect of modified poplar surface pretreatment on the mass loss of paint film tends to be stable. Full article

In this study, a renewable polymeric material, refined oriental lacquer (ROL), used as a wood protective coating, and the Acacia confusa Merr. heartwood extractive, which was added as a natural photostabilizer for improving the lightfastness of ROL, were investigated. The best extract conditions for preparing heartwood extractives and the most suitable amount of addition (0, 1, 3, 5, and 10 phr) were investigated. The lightfastness index including brightness difference (ΔL *), yellowness difference (ΔYI), and color difference (ΔE *), and their applied properties of coating and film were measured. In the manufacture of heartwood extractives, the yield of extractives with acetone solvent was 9.2%, which was higher than that from toluene/ethanol solvent of 2.6%, and also had the most abundant total phenolic contents (535.2 mgGAE/g) and total flavonoid contents (252.3 μgRE/g). According to the SEM inspection and FTIR analysis, the plant gums migration to the surface of films and cracks occurred after UV exposure. The phenomena for photodegradation of ROL films were reduced after the addition of heartwood extractives. Among the different amounts of the heartwood extractives, the 10 phr addition was the best choice; however, the 1 phr heartwood extractive addition already showed noticeable lightfastness improvement. The drying times of ROL were extended and film performances worse with higher additions of heartwood extractives. Among the ROL films with different heartwood extractive additions, the ROL film with 1 phr addition had superior films properties, regarding adhesion and thermal stability, compared with the films of raw oriental lacquer. Full article

Refined oriental lacquer (ROL) is a natural polymeric material with a satiny texture, elegant beauty, and high durability for wood furniture and handicraft finishing. However, its poor lightfastness, which results from the photo-degradation or photo-oxidation of its main component, catechol derivatives, must be improved for its widespread utilization. In this study, two experiments were performed. First, five types of antioxidants, including three primary antioxidants, such as 2,2′-methylenebis(6-nonyl-p-cresol) (coded as AO-1), 2,2′-methylenebis(6-tert-butyl-4-methylphenol) (AO-2), and bis [4-(2-phenyl-2-propyl) phenyl] amine (AO-N), and two secondary antioxidants, such as tris (2,4-ditert-butylphenyl) phosphite (AO-P) and dilauryl thiodipropionate (AO-S), were investigated to determine which is the most effective for improving the lightfastness of ROL. Secondly, the appropriate quantity of the best antioxidant, including 0, 1, 2, 3, 5, and 10 phr, was also determined. The lightfastness parameters, such as brightness difference (ΔL*), yellowness difference (ΔYI), and color difference (ΔE*), as well as other coating and film properties, were assessed. The results showed that the primary antioxidants had higher efficiency than secondary antioxidants for improving the lightfastness of ROL. Among the primary antioxidants, the 5 phr AO-N was the most effective at improving the lightfastness of ROL; however, 1 phr addition had already shown significantly improved efficiency. In addition, the drying time of ROL was extended and film properties decreased when increasing the content of AO-N, but the 1-phr-containing ROL displayed superior film properties, especially adhesion and bending resistance, compared with the raw ROL film. Full article