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Heritage, Volume 7, Issue 5 (May 2024) – 11 articles

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18 pages, 2973 KiB  
Article
Cadmium Yellow Pigments in Oil Paintings: Optical Degradation Studies Utilizing 3D Fluorescence Mapping Supported by Raman Spectroscopy and Colorimetry
by Francesca A. Pisu, Carlo Maria Carbonaro, Pier Carlo Ricci, Stefania Porcu and Daniele Chiriu
Heritage 2024, 7(5), 2426-2443; https://doi.org/10.3390/heritage7050115 - 02 May 2024
Viewed by 191
Abstract
The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a [...] Read more.
The degradation of cadmium yellow in paintings is influenced by various factors, primarily environmental conditions and light exposure. Applying a thin protective layer of linseed oil on the surface could help mitigate these processes. Linseed oil, being a natural material, acts as a barrier against harmful atmospheric agents like moisture and oxygen, which contribute to the degradation of pigments including cadmium yellow. Additionally, linseed oil reduces direct light exposure, thereby lowering the risk of fading and color alteration. In this study, we explored the degradation of cadmium pigments mixed with oil and applied on canvas. We elucidated how the use of a binder prevents the direct oxidation of the pigment, inducing artificial degradation by irradiating samples with UVA (365 nm) and UVC (250 nm) sources. By employing various spectroscopic techniques such as three-dimensional fluorescence mapping (PLE) and Raman, along with colorimetric analysis, we gained a comprehensive understanding of the degradation process, particularly when linseed oil serves as a protective layer. Full article
27 pages, 6459 KiB  
Review
Cultural Routes as Cultural Tourism Products for Heritage Conservation and Regional Development: A Systematic Review
by Xinyue Lin, Zhenjiang Shen, Xiao Teng and Qizhi Mao
Heritage 2024, 7(5), 2399-2425; https://doi.org/10.3390/heritage7050114 - 02 May 2024
Viewed by 275
Abstract
Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development [...] Read more.
Cultural routes are a composite set of heritage sites that refer to historical routes of human communication. As key products of cultural tourism, they provide visitors with rich cultural experiences across regions. We systematically review reports and studies related to the tourism development of 38 cultural route cases worldwide, with a special focus on their distribution, typology, planning patterns, and tools for cultural tourism. We summarized eight tools and found some differences in how often these eight tools are used by the different types of routes and different planning patterns for route tourism. This study also developed an evaluation system based on the conservation principles of cultural routes to determine how different tourism tools affect the conservation and development of historical regions. Although tourism decision-makers have made numerous efforts to protect and develop cultural routes, there are still many problems and challenges in the process of tourism development along cultural routes. We conclude the paper by making recommendations for decision-makers and researchers concerning future route tourism planning and study. Full article
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14 pages, 7742 KiB  
Article
Neverovsky Palaeoreef and Associated Deep-Marine Facies: High-Value Late Devonian Geoheritage from the Rudny Altai
by Jaroslav M. Gutak and Dmitry A. Ruban
Heritage 2024, 7(5), 2385-2398; https://doi.org/10.3390/heritage7050113 - 01 May 2024
Viewed by 172
Abstract
The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed [...] Read more.
The Rudny Altai is a western segment of the Altai orogenic belt. Its geological richness makes its geoheritage exploration an urgent matter. Investigations in the Loktevsky District (Altai Region, Russian Federation) have led to the finding of three notable localities, which are proposed as geosites. Field investigations and both qualitative and semi-quantitative (scoring by criteria) studies were carried out to characterize and value the geoheritage properties of these localities. The Neverovsky palaeoreef is a relatively large geosite, representing a Frasnian reef developed on a volcanic edifice. The Zolotukha section and the Razdolnoe section are smaller geosites representing deep-marine facies of the Giventian–Frasnian transition and the late Frasnian, respectively. Seven geoheritage types are established in the Neverovsky palaeoreef, and four geoheritage types are established in the other two geosites. Examination of rarity, accessibility, vulnerability, and other properties allows the ranking of the Neverovsky palaeoreef globally and the other two geosites regionally. The three proposed geosites need special geoconservation measures (especially regarding their rich fossil content). The palaeoreef can be used for the promotion of local tourism. Full article
(This article belongs to the Section Geoheritage and Geo-Conservation)
15 pages, 2031 KiB  
Article
Unraveling a Historical Mystery: Identification of a Lichen Dye Source in a Fifteenth Century Medieval Tapestry
by Rachel M. Lackner, Solenn Ferron, Joël Boustie, Françoise Le Devehat, H. Thorsten Lumbsch and Nobuko Shibayama
Heritage 2024, 7(5), 2370-2384; https://doi.org/10.3390/heritage7050112 - 01 May 2024
Viewed by 345
Abstract
As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) [...] Read more.
As part of a long-term campaign to document, study, and conserve the Heroes tapestries from The Cloisters collection at The Metropolitan Museum of Art, organic colorant analysis of Julius Caesar (accession number 47.101.3) was performed. Analysis with liquid chromatography–quadrupole time-of-flight mass spectrometry (LC-qToF-MS) revealed the presence of several multiply chlorinated xanthones produced only by certain species of lichen. Various lichen dye sources have been documented in the literature for centuries and are classified as either ammonia fermentation method (AFM) or boiling water method (BWM) dyes based on their method of production. However, none of these known sources produce the distinctive metabolites present in the tapestry. LC-qToF-MS was also used to compare the chemical composition of the dyes in the tapestry with that of several species of crustose lichen. Lichen metabolites, including thiophanic acid and arthothelin, were definitively identified in the tapestry based on comparison with lichen xanthone standards and a reference of Lecanora sulphurata, confirming the presence of a lichen source. This finding marks the first time that lichen xanthones have been identified in a historic object and the first evidence that BWM lichen dyes may have been used prior to the eighteenth century. Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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22 pages, 11648 KiB  
Article
A Townscape in Evolution: Caño Roto Modern Heritage, 1957–2023
by Angel Cordero Ampuero, Manuela Gil Manso and Marta Muñoz
Heritage 2024, 7(5), 2348-2369; https://doi.org/10.3390/heritage7050111 - 01 May 2024
Viewed by 223
Abstract
Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular [...] Read more.
Caño Roto (Madrid) is one of the most relevant Spanish post-war architectures. Its typological contributions have already been studied within the framework of the so-called “Led Settlements”. This paper proposes a systematic analysis of the evolution of the neighborhood townscape, its most singular characteristic as a critical approach to the CIAM city project. It starts with the photographic documentation, studied through the methodology established by Gordon Cullen and developed, in a systematic way, by Nigel Taylor. The comparative study includes the original published photographs, a sample of photographs from the 2010s, and the shots taken in a new exhaustive documentation campaign. The comparison yields relevant results on the evolution of urban space definers: building volumes, facade composition, pavements or vegetation, and the presence of people in public areas. Several paths are studied to allow an understanding of the overall landscape structure. As a result, the key elements of the townscape of the settlement are identified and valued. The aim of this paper is to provide tools for the preservation of both the architectural and landscape heritage of Caño Roto. In short, thorough knowledge will help residents to become aware of the heritage value of their neighborhood. Full article
(This article belongs to the Special Issue Landscapes as Cultural Heritage: Contemporary Perspectives)
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35 pages, 58259 KiB  
Article
New Perceptions of Ancient Commerce Driven by Underwater Ancient Site Investigations: A Case Study of Xinfeng River Basin
by Song Zhang, Ming He, Guoliang Dong and Xianying Wang
Heritage 2024, 7(5), 2313-2347; https://doi.org/10.3390/heritage7050110 - 30 Apr 2024
Viewed by 147
Abstract
In the 1950s and 1960s, to address the flooding issues and power shortage that hindered national construction, the Xinfeng River hydropower plant was planned and built to prevent floods, store water, and generate electricity. Consequently, many ancient ruins in the study area were [...] Read more.
In the 1950s and 1960s, to address the flooding issues and power shortage that hindered national construction, the Xinfeng River hydropower plant was planned and built to prevent floods, store water, and generate electricity. Consequently, many ancient ruins in the study area were drowned, including ancient post roads, channels, villages, towns, bridges, and other relic sites. By checking historical data and adopting integrated underwater acoustic detection, we conducted a comprehensive cultural-relics survey on the flooded area under Wanlv Lake in the Xinfeng River Basin. A side-scan sonar detection of the underwater relics within the flooded area confirmed the spatial distribution of cultural relics in the Xinfeng River Basin. It portrayed ancient people’s production and life scenarios, outlined the migration and trade history within the region and beyond, and contributed to the enrichment of the literature and understanding of ancient shipping and trade in the basin. Full article
(This article belongs to the Special Issue Advances in Archaeology and Anthropology of the Ancient World)
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17 pages, 6019 KiB  
Article
Digital Guardianship: Innovative Strategies in Preserving Armenian’s Epigraphic Legacy
by Hamest Tamrazyan and Gayane Hovhannisyan
Heritage 2024, 7(5), 2296-2312; https://doi.org/10.3390/heritage7050109 - 30 Apr 2024
Viewed by 177
Abstract
In the face of geopolitical threats in Artsakh, the preservation of Armenia’s epigraphic heritage has become a mission of both historical and cultural urgency. This project delves deep into Armenian inscriptions, employing advanced digital tools and strategies like the Oxygen text editor and [...] Read more.
In the face of geopolitical threats in Artsakh, the preservation of Armenia’s epigraphic heritage has become a mission of both historical and cultural urgency. This project delves deep into Armenian inscriptions, employing advanced digital tools and strategies like the Oxygen text editor and EpiDoc guidelines to efficiently catalogue, analyze, and present these historical treasures. Amidst the adversities posed by Azerbaijan’s stance towards Armenian heritage in Artsakh, the digital documentation and preservation of these inscriptions have become a beacon of cultural resilience. The XML-based database ensures consistent data, promoting scholarly research and broadening accessibility. Integrating the Grabar Armenian dictionary addressed linguistic challenges, enhancing data accuracy. This initiative goes beyond merely preserving stone and text; it is a testament to the stories, hopes, and enduring spirit of the Armenian people in the face of external threats. Through a harmonious blend of technology and traditional knowledge, the project stands as a vanguard in the fight to ensure that Armenia’s rich epigraphic legacy, and the narratives they enshrine remain undiminished for future generations. Full article
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20 pages, 4871 KiB  
Article
Recent Applications of Unilateral NMR to Objects of Cultural Heritage
by Valeria Di Tullio and Noemi Proietti
Heritage 2024, 7(5), 2277-2295; https://doi.org/10.3390/heritage7050108 - 29 Apr 2024
Viewed by 171
Abstract
Although nuclear magnetic resonance (NMR) is recognized as a powerful tool in many areas of research, among the investigative techniques used in the field of cultural heritage its application is still largely unknown. One of the reasons for this is that artifacts are [...] Read more.
Although nuclear magnetic resonance (NMR) is recognized as a powerful tool in many areas of research, among the investigative techniques used in the field of cultural heritage its application is still largely unknown. One of the reasons for this is that artifacts are complex heterogeneous systems whose analysis requires a multi-disciplinary approach. In addition, major drawbacks in the analysis of objects belonging to cultural heritage are their limited quantity, number of samples collected from the artifact, and their immovability. Consequently, a methodological approach where non-destructive, and possibly non-invasive techniques are used, is advisable. In recent years, thanks to the development of portable instruments, there has been an increasing use of the NMR methodology in the cultural heritage field. The use of portable NMR has allowed us to study several materials in the cultural heritage, such as frescoes, stones, wood, paper, and paintings, to address the challenges in monitoring dampness in historical masonries, to evaluate the penetration depth of a hydrophobic treatment into a porous material, and to study of the effect of cleaning procedures on artifacts. In this paper, recent studies illustrating the potential of NMR portable methodologies in this field of research are reported. Full article
(This article belongs to the Special Issue Non-invasive Technologies Applied in Cultural Heritage)
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12 pages, 7217 KiB  
Commentary
The Stone Skeleton: A Reappraisal
by Thomas E. Boothby and Dario Coronelli
Heritage 2024, 7(5), 2265-2276; https://doi.org/10.3390/heritage7050107 - 26 Apr 2024
Viewed by 198
Abstract
Jacques Heyman’s 1966 article “The Stone Skeleton” has been influential in the assessment of masonry arches in general, including masonry bridges and gothic architecture. Heyman’s article relies on limiting assumptions about arch behavior, and concludes that an arch can be declared stable based [...] Read more.
Jacques Heyman’s 1966 article “The Stone Skeleton” has been influential in the assessment of masonry arches in general, including masonry bridges and gothic architecture. Heyman’s article relies on limiting assumptions about arch behavior, and concludes that an arch can be declared stable based on the location of a statically admissible thrust line within the arch. In the following commentary, we assess the validity of the assumptions made by Heyman and the uses that have been made of his application of the lower bound theorem of plasticity. We conclude that Heyman’s methods have enduring value, but that the user needs to recognize the limitations of the assumptions made and the limits on the validity of conclusions imposed by these assumptions. Full article
(This article belongs to the Section Architectural Heritage)
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26 pages, 44646 KiB  
Article
Conservation and In Situ Enhancement of Earthen Architecture in Archaeological Sites: Social and Anthropic Risks in the Case Studies of the Iberian Peninsula
by Sergio Manzano-Fernández, Camilla Mileto, Fernando Vegas López-Manzanares and Valentina Cristini
Heritage 2024, 7(5), 2239-2264; https://doi.org/10.3390/heritage7050106 - 25 Apr 2024
Viewed by 299
Abstract
Archaeological sites constitute one of the main tourist attractions in the heritage offerings of most populations. Their ability to convey the ways of life and construction techniques of past societies through physical remains positions them as a culturally significant alternative for visitors. However, [...] Read more.
Archaeological sites constitute one of the main tourist attractions in the heritage offerings of most populations. Their ability to convey the ways of life and construction techniques of past societies through physical remains positions them as a culturally significant alternative for visitors. However, their physical conservation, essential for efficiently ensuring information with precision, poses a serious challenge for the various professionals involved, as numerous social and anthropic risks threaten long-term preservation for the enjoyment of future generations. Of all traditional building materials, earth is undoubtedly one of the most fragile and sensitive to loss in the absence of the original protection systems, so that a precise assessment of its threats is essential to minimizing the destruction of these non-renewable assets. The objective of this study is to evaluate the most determining human risk factors within the territorial scope of the Iberian Peninsula, including aspects such as its musealization, suitable interpretation, visit planning, agricultural land use, vandalism and rural depopulation. This is achieved through a literature review and on-site data collection from 85 archaeological sites, as well as the development of an analysis tool to assess the degree of vulnerability, aiming to develop prevention measures. Full article
(This article belongs to the Special Issue Heritage Tourism and Sustainable City Dynamics)
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22 pages, 12590 KiB  
Article
An Archaeometric Study of Lead-Glazed Medieval Ceramics (13th–14th Century) from Santarém, Portugal
by L. F. Vieira Ferreira, T. M. Casimiro, C. Boavida, M. F. Costa Pereira and I. Ferreira Machado
Heritage 2024, 7(5), 2217-2238; https://doi.org/10.3390/heritage7050105 - 25 Apr 2024
Viewed by 594
Abstract
Ceramic sherds from approximately 20 samples of lead-glazed tableware, recovered from diverse archaeological sites, including three repurposed storage pits transformed into dumpsters within the medieval city of Santarém (13th–14th century), underwent a meticulous examination. This investigation utilised techniques such as micro-Raman, ground-state diffuse [...] Read more.
Ceramic sherds from approximately 20 samples of lead-glazed tableware, recovered from diverse archaeological sites, including three repurposed storage pits transformed into dumpsters within the medieval city of Santarém (13th–14th century), underwent a meticulous examination. This investigation utilised techniques such as micro-Raman, ground-state diffuse reflectance absorption, and X-ray fluorescence spectroscopies, in addition to X-ray diffraction and stereomicroscopy. A parallel study was conducted on contemporaneous European ceramics (glazed sherds) sourced from archaeological sites dating back to the 13th–15th centuries in Saintonge (France), Ardenne, Zomergem, and Bruges (Belgium), as well as Surrey–Hampshire, Kingston, and Cheam (England). The first premise for comparing the Santarem samples with European production locations was their frequent commercial relations with Portugal and the frequency of these productions being found in Portugal. The colour of the ceramic bodies is predominantly white or whitish, with a few exhibiting a vivid red hue. Analyses of the fabric, mineralogical, and elemental composition of the sherds suggest that the majority of Santarém’s glazed ceramics were locally or regionally produced, potentially derived from a Pliocene kaolin-rich sand formation. However, this conclusion is not supported by the absence of discovered lead glaze kilns or workshops in Santarém for the late Middle Ages. Full article
(This article belongs to the Special Issue Non-invasive Technologies Applied in Cultural Heritage)
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