Religion and Popular Culture: Tensions in the Digital Age

A special issue of Religions (ISSN 2077-1444). This special issue belongs to the section "Religions and Health/Psychology/Social Sciences".

Deadline for manuscript submissions: closed (5 October 2022) | Viewed by 2369

Special Issue Editors


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Guest Editor
Department of Religious Studies, The Open University, Milton Keynes MK7 6AA, UK
Interests: contemporary religion; lived religion; new religions; religion and popular culture; sociology of religion

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Co-Guest Editor
Department of Religious Studies, The Open University, Milton Keynes MK7 6AA, UK
Interests: mythology; anthropology of religion; contemporary religion and popular culture; digital storytelling; online re-ligions

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Co-Guest Editor
Theology and Religious Studies, University of Chester, Chester CH1 4BJ, UK
Interests: religion and popular culture; Jewish studies; religion and the arts; Jewish–Christian dialogue; post-Holocaust thought

Special Issue Information

Dear Colleagues, 

As the academic study of religion and popular culture approaches maturity, research is moving beyond reductive binaries of religion and popular culture as distinct categories which occasionally interact with one another. In fact, the two are often entangled together in ways which are increasingly difficult to separate. This does not, however, mean that all who experience the digitisation of religion, or the religious growth of their digital media, are equally happy or able to access the changes as they occur. This Special Issue seeks to explore the new directions and contested discourses surrounding religion and popular culture as meshed categories.

Digital religion has also been significantly impacted by the COVID-19 pandemic; however, these issues run deeper than simply ‘doing religion online’ due to safety restrictions. This issue welcomes contributions exploring how digital religions can be understood in the 21st century, with a particular emphasis on the tensions and barriers which arise in online religious discourse.  

Topics may include but are not limited to:

  • Fandoms;
  • Digital schismatics;
  • Emerging digital religions;
  • Invented and hyper-real religions;
  • Controlling narratives in online spaces;
  • Digital experiences of ritual;
  • Mythology in and as popular culture narratives;
  • Accessibility of digital religion(s);
  • Contested ideas of digital religion, and religion that is digital;
  • Wider digital publics.

We encourage papers to not only present situations of religion, popular culture, and digital media, but to dig into the deeper experiences, tensions, and fringe experiences that make up the wider landscape of contemporary digital religious spaces and mediums.

We request that, prior to submitting a manuscript, interested authors initially submit a proposed title and an abstract of 400–600 words summarizing their intended contribution. Please send it to the guest editors ([email protected]) or to the Religions editorial office ([email protected]). Abstracts will be reviewed by the guest editors for the purposes of ensuring proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer-review.

Dr. Aled Thomas
Dr. Vivian Asimos
Prof. Dr. Alana Vincent
Guest Editors

Manuscript Submission Information

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Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • religion and popular culture
  • digital religion
  • contested discourses
  • online religion

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Published Papers (1 paper)

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Research

10 pages, 260 KiB  
Article
Religion and Cinema as Subversive Memories: A Possible Relationship in the Brazilian Context
by Júlio Cézar Adam
Religions 2022, 13(12), 1173; https://doi.org/10.3390/rel13121173 - 1 Dec 2022
Viewed by 1112
Abstract
Brazil has been defined as a country without memory. On the other hand, Brazilian cinematography is rich in dealing with the theme of memory. In this scenario, Brazilians gather weekly in religious services to celebrate the memory of the Easter of Christ in [...] Read more.
Brazil has been defined as a country without memory. On the other hand, Brazilian cinematography is rich in dealing with the theme of memory. In this scenario, Brazilians gather weekly in religious services to celebrate the memory of the Easter of Christ in the Eucharist, to remember the deeds of God in time and space, and to celebrate the memory of the Gospel embodied in the culture and memory of the Brazilian people. This article intends, therefore, to establish a relation between the lack of critical and political memories and the memory present in the narratives of Brazilian films as spaces of resistance, and the religious and subversive memory in the Christian liturgy. The methodology adopted will be, firstly, descriptive and analytical, focusing on the facts of the Brazilian reality. Secondly, memory and liturgical memory will be treated in the liturgy, ascertaining the role of this paschal memory not only as an exercise of memory, but also as a subverting and political memory in the past, present, and future. Here, relations between liturgy and Brazilian cinema will be established. Full article
(This article belongs to the Special Issue Religion and Popular Culture: Tensions in the Digital Age)
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