Journal Description
Heritage
Heritage
is an international, peer-reviewed, open access journal of cultural and natural heritage science published monthly by MDPI.
- Open Access— free for readers, with article processing charges (APC) paid by authors or their institutions.
- High Visibility: indexed within Scopus, ESCI (Web of Science), and other databases.
- Journal Rank: JCR - Q2 (Multidisciplinary Sciences) / CiteScore - Q1 (Conservation)
- Rapid Publication: manuscripts are peer-reviewed and a first decision is provided to authors approximately 17.7 days after submission; acceptance to publication is undertaken in 4 days (median values for papers published in this journal in the first half of 2024).
- Recognition of Reviewers: reviewers who provide timely, thorough peer-review reports receive vouchers entitling them to a discount on the APC of their next publication in any MDPI journal, in appreciation of the work done.
Impact Factor:
2.0 (2023);
5-Year Impact Factor:
1.9 (2023)
Latest Articles
Three Landscape-Dominating Mountains of the Western Caucasus: Case Studies of Local Heritage and Cultural Inferences
Heritage 2024, 7(8), 4227-4248; https://doi.org/10.3390/heritage7080199 (registering DOI) - 7 Aug 2024
Abstract
Geomorphosite inventory remains an urgent task for many geographical domains where it can facilitate the exploration of geoheritage resources. The present study reports a new and sufficient portion of information from Mountainous Adygeya in southwestern Russia, which is a geoheritage-rich area in the
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Geomorphosite inventory remains an urgent task for many geographical domains where it can facilitate the exploration of geoheritage resources. The present study reports a new and sufficient portion of information from Mountainous Adygeya in southwestern Russia, which is a geoheritage-rich area in the western part of the Greater Caucasus Mountains. The Cossack, Monk, and Three Teeth mountains were analyzed qualitatively and semi-quantitatively. Their morphology and geological settings were described, their geoheritage properties were scored by several criteria, and their cultural meanings were considered. It was established that the total heritage values of these geomorphosites are comparable. The challenging accessibility of these landforms is offset by the availability of sites for distant observation. Each proposed geomorphosite has its own cultural meaning reflected by its name. The proposed geomorphosites are constituents of the geoheritage resources of Mountainous Adygeya, and they can be exploited via local product branding and georoute functioning.
Full article
(This article belongs to the Section Geoheritage and Geo-Conservation)
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Open AccessArticle
Graphic Restitution and Recovery of the Chronos Pavement of the Marquis of Benicarlo’s House
by
Joaquín A. Martínez-Moya and Jaume Gual-Ortí
Heritage 2024, 7(8), 4206-4226; https://doi.org/10.3390/heritage7080198 (registering DOI) - 7 Aug 2024
Abstract
The Marquis of Benicarlo’s House is a prime example of 18th-century Baroque civil architecture in the Valencian region. Inside, it preserves ceramic panels from this period of great historical and heritage value. However, prior to its designation as a Cultural Heritage Site, the
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The Marquis of Benicarlo’s House is a prime example of 18th-century Baroque civil architecture in the Valencian region. Inside, it preserves ceramic panels from this period of great historical and heritage value. However, prior to its designation as a Cultural Heritage Site, the building lost some of its most architecturally significant elements, such as the flooring in one of the main rooms, which was decorated with rich iconography. Fortunately, the original tiles from this flooring have been located in the collections of the National Museum of Ceramics. This study presents the recovery and graphic restitution of the flooring based on the pieces found in the museum’s collections. This work allows us to understand the original appearance of the flooring before its dismantling and may enable its in situ restoration through digital ceramic printing techniques, thus returning one of its most unique architectural elements to the building. It also details the process of digitally restoring the flooring to its original location using advanced digitization techniques. This enables the visualization of the hall in its authentic state using virtual reality methods, thereby facilitating its appreciation and dissemination as a heritage architectural space.
Full article
(This article belongs to the Special Issue 3D Reconstruction of Cultural Heritage and 3D Assets Utilisation)
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Open AccessArticle
An Innovative Method Based on In Situ Deformometric Monitoring to Support Decisions for the Structural Restoration of a Historic Panel Painting
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Paola Mazzanti, Bertrand Marcon, Linda Cocchi, Giacomo Goli, Lorenzo Riparbelli and Luca Uzielli
Heritage 2024, 7(8), 4193-4205; https://doi.org/10.3390/heritage7080197 (registering DOI) - 7 Aug 2024
Abstract
This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity.
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This paper describes an innovative method developed by the authors to support basic decisions concerning the structural restoration of a large historical panel painting which had been damaged by inappropriate attachment to a wall and ongoing exposure to severe changes in environmental humidity. The Lapidazione di Santo Stefano is a large panel (2.78 × 3.92 m2) painted by Giorgio Vasari in 1571 and has been housed since then in the Church of Santo Stefano dei Cavalieri in Pisa (Italy). Its wooden support is made of large horizontal planks glued together along their edges and stiffened by vertical, dovetailed crossbeams. The panel was tightly fastened to a church wall with several rigid bolts; due to the moisture cycling produced by rainwater leakage and a subsequent “compression set”, it had developed severe tension stresses perpendicular to the grain, resulting in cracks affecting both the wood and the paint layers. To decide how to carry out the structural restoration of the panel, it was necessary to know whether slippage could occur between the panel and crossbeams during seasonal variations in environmental humidity. Without slippage, tensile stresses would be generated in the wood and could produce further cracks and damage the paint layers. An in situ monitoring method for assessing the possibility of slippage was developed and implemented. An analysis of data collected over a period of 6 months before the structural restoration confirmed that adequate slippage was possible; hence, the decision to fully repair the cracks was taken. Monitoring continued for a year after restoration and confirmed the previous findings. This paper describes the monitoring method, the equipment used, the results of its implementation and its value as a preventive conservation tool.
Full article
(This article belongs to the Special Issue Recent Progress in Cultural Heritage Diagnostics)
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Open AccessArticle
Reconstructing a Lay Individual’s Elbow Fracture at Santa Caterina Friary, Barcelona (15th–16th Century): The Contribution of Paleopathology to the Valorization of Bioarcheological Heritage
by
Antony Cevallos, Xavier Tomàs, Lluís Lloveras and Carme Rissech
Heritage 2024, 7(8), 4182-4192; https://doi.org/10.3390/heritage7080196 - 2 Aug 2024
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The paleopathological literature notably lacks the description and analysis of distal humeral fractures and their associated complications. The objectives of this study were (1) to evaluate a distal humerus fracture associated with cubitus valgus observed in the articulated right elbow of an adult
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The paleopathological literature notably lacks the description and analysis of distal humeral fractures and their associated complications. The objectives of this study were (1) to evaluate a distal humerus fracture associated with cubitus valgus observed in the articulated right elbow of an adult male buried in the Santa Caterina Friary site in Barcelona, dating back to the modern period (15th to early 16th century), and (2) to contribute to the valorization of bioarcheological heritage. Employing macroscopic and radiographic studies, the injury was assessed. The results indicated a healed antemortem fracture, probably associated with a fall. In the AO/OTA classification, it corresponds to type 13C1.1 (complete articular fracture, articular simple, metaphyseal simple, above the transcondylar axis), accompanied by a coronoid process fracture due to anterior trochlear dislocation impact (O’Driscoll type 1 classification: transverse fracture of the distal apophysis with involvement of the sublime tubercle). This fracture, resulting in a 28° cubitus valgus and significant elbow changes, infers community support in healing and highlights the socio-economic dynamics of guilds and adaptive strategies to physical adversities. This study is one of the first to describe cubitus valgus in a historical Spanish population, offering a comprehensive view of the complexities, physical adversities, and adaptive strategies employed by individuals following an elbow fracture.
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Open AccessArticle
Agritourism in Extremadura, Spain from the Perspective of Rural Accommodations: Characteristics and Potential Development from Agrarian Landscapes and Associated Activities
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José Manuel Sánchez-Martín, Rebeca Guillén-Peñafiel, Paloma Flores-García and María José García-Berzosa
Heritage 2024, 7(8), 4149-4181; https://doi.org/10.3390/heritage7080195 - 1 Aug 2024
Abstract
The boom of rural tourism in Extremadura (Spain) has been promoted by different administrations, both national and European, through multiple initiatives carried out for several decades. However, it has been developed in a generic way, ignoring the potential of agricultural landscapes for the
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The boom of rural tourism in Extremadura (Spain) has been promoted by different administrations, both national and European, through multiple initiatives carried out for several decades. However, it has been developed in a generic way, ignoring the potential of agricultural landscapes for the development of agritourism as a specific variety. Therefore, this research aims to know the opinion of rural lodging owners in order to understand how the activity can be reoriented towards a more specific one, taking advantage of the potential of this type of tourist attraction. For this purpose, information has been collected through surveys to these owners. By carrying out a statistical analysis and a territorial analysis, it is possible to know their socio-demographic structure, as well as the characteristics of the accommodations and other aspects related to the activities they offer to tourists. Following the analyses, characteristics such as age, level of education and sources of income were identified, revealing a lack of knowledge of agritourism. It was also discovered that many lodgings could offer agritourism activities due to the presence of farms and attractive landscapes for tourists. However, there was a lack of activities related to agriculture and livestock, which represents a missed opportunity for the development of agritourism. The territorial analysis showed patterns of activity supply in certain areas, suggesting the possibility of promoting the sustainable development of rural areas through the diversification of tourism activities. Perhaps the main conclusion that can be drawn is the need to take advantage of the attractive landscape and the presence of activity companies to promote the economic and social development of rural areas, contributing to the conservation of traditions and the fight against depopulation.
Full article
(This article belongs to the Special Issue Landscapes as Cultural Heritage: Contemporary Perspectives)
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Open AccessArticle
Development of a Software Module for Studying Historical and Cultural Heritage Objects Using Non-Invasive Research Data
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Borys Chetverikov, Volodymyr Hlotov and Krzysztof Bakuła
Heritage 2024, 7(8), 4131-4148; https://doi.org/10.3390/heritage7080194 - 31 Jul 2024
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This work proposes the development of a software module for studying historical and cultural heritage objects using remote and non-invasive research data. The module aims to integrate modern technologies such as image processing, data analysis, and visualization to provide access to heritage information
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This work proposes the development of a software module for studying historical and cultural heritage objects using remote and non-invasive research data. The module aims to integrate modern technologies such as image processing, data analysis, and visualization to provide access to heritage information for researchers, conservators, and the general public. Utilizing non-invasive data, such as geophysical surveys, enables the collection of information about heritage objects without causing damage. The module facilitates the analysis and visualization of this data as well as the creation of interactive object models, thereby promoting further research, preservation, and popularization of cultural heritage. The module consists of three blocks: defining areas for ground-based research using interferograms; constructing a comprehensive 3D model based on ground and underground research data; and refining the boundaries of historical-cultural heritage objects and establishing protective zones. The program is developed in the object-oriented programming language VisualBasic with additional modules. This developed module could become a significant tool for studying and preserving historical and cultural objects in the modern world.
Full article
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Open AccessArticle
Detection of Protective Coatings Applied on Baroque Amber Artworks: Case Studies
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Anna Rygula, Anna Klisińska-Kopacz, Paulina Krupska-Wolas, Tomasz Wilkosz, Marta Matosz, Michał Obarzanowski, Karolina Skóra, Aldona Kopyciak and Julio M. del Hoyo-Meléndez
Heritage 2024, 7(8), 4109-4130; https://doi.org/10.3390/heritage7080193 - 31 Jul 2024
Abstract
Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber
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Amber has been used to create decorative items for centuries, but its degradation presents challenges for conservators. This study identifies substances historically used to protect amber objects, especially those from 17th and 18th century Gdansk workshops. Despite their historical value, information on amber conservation is scarce. Traditional substances are noted, but their exact compositions and effects on amber remain unclear. Synthetic resins, introduced in the late 19th century, also degrade, complicating conservation due to their removal difficulty and interference with amber identification. This research aimed to develop methods for detecting and analyzing protective coatings on amber objects using macroscopic and microscopic techniques. Initial methods included analytical photography under visible and UV light and reflectance imaging spectroscopy (RIS) to assess the surface. Raman spectroscopy (RS) and X-ray fluorescence spectroscopy (XRF) were used for detailed analysis. RS provided precise layer-specific information but was sensitive to surface conditions, while XRF quickly identified inorganic compounds but not organic materials. Examining amber objects from Polish collections using this methodology revealed various protective substances, including synthetic resins and nitrocellulose varnishes. This research contributes to amber conservation by proposing a comprehensive material analysis approach, essential for developing effective conservation strategies for these historic objects.
Full article
(This article belongs to the Special Issue Protective Material Coatings for Cultural Heritage)
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Open AccessArticle
Unveiling the Artistry of Juan Martínez Montañés: Carving and Polychromy in the Santa Clara Church Altarpiece
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Javier Moreno-Soto, Anabelle Križnar, Concepción Moreno-Galindo, Antonio Gamero-Osuna, Francisco José Ager, Agustín Martín-de-Soto and Miguel Ángel Respaldiza
Heritage 2024, 7(8), 4085-4108; https://doi.org/10.3390/heritage7080192 - 31 Jul 2024
Abstract
Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and
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Juan Martínez Montañés was one of the most important sculptors and altarpiece architects of the Spanish Golden Age. The restoration of the Santa Clara church in Seville has presented a unique opportunity to study the main altarpiece, crafted by Montañés between 1621 and 1623. He was also in charge of the polychromy and gilding, believing that delegating these procedures to others would diminish the quality of his work. This conviction led to a well-known lawsuit with the renowned contemporary Spanish painter Francisco Pacheco. Ultimately, the painter and sculptor Baltasar Quintero performed the polychromy of this altarpiece, but under the strict conditions of Montañés. Various non-invasive analytical techniques, such as CT, UVF, XRF, and digital microscopy, were employed to study wood treatment and polychromy. Additionally, three samples were prepared as cross-sections and analysed by SEM-EDX. The results revealed Montañés’ meticulous woodwork, anticipating its long-term preservation. Consistent with Montañés’ commitment to maintaining the superior quality of his work, the analysis showed an absence of a ground layer in the flesh areas, while the gilding was executed with high-quality gold. The pigment palette corresponds to the treaties and documents of his time, and the extensive areas of later retouches were accurately located. These new data provide a deeper understanding of both the technique and the high standards of one of the most important and globally recognised sculptors.
Full article
(This article belongs to the Special Issue X-ray Physics and Digital Imaging for the Study, Preservation and Protection of Cultural Properties)
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Open AccessArticle
Integrated Shallow Geophysical Surveys at Two Caddo Period Archaeological Sites within the Limits of a Water Reservoir in Northeastern Texas, USA
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Hector R. Hinojosa-Prieto, Allen M. Rutherford and Jesse D. Brown
Heritage 2024, 7(8), 4045-4084; https://doi.org/10.3390/heritage7080191 - 31 Jul 2024
Abstract
The newly constructed Bois d’Arc Lake Reservoir in Fannin County, Texas, USA, inevitably flooded a large ground surface area (67.34 km2) when the reservoir began impounding water in April 2021. Inside this (now) flooded area, land-based archaeological data recovery investigations discovered
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The newly constructed Bois d’Arc Lake Reservoir in Fannin County, Texas, USA, inevitably flooded a large ground surface area (67.34 km2) when the reservoir began impounding water in April 2021. Inside this (now) flooded area, land-based archaeological data recovery investigations discovered and documented several archaeological sites, now registered in the state of Texas; though, only two neighboring sites, namely, 41FN178 and 41FN244, are examined here. The first phase of archaeological testing at these sites included shovel testing, test unit excavations, and geoarchaeological trenching that yielded archaeological artifacts suggesting that Middle Caddo Indian peoples (AD 1200–1400) might have occupied this landscape. As the sites were recognized before the reservoir’s impoundment phase, this merited a non-invasive, non-destructive, high-resolution near-surface geophysical study to map strategic areas within sites 41FN178 and 41FN244 that might yield potential shallow targets of archaeological context. The adopted geophysical survey comprised 3D direct current electrical resistivity imaging (ERI) and land horizontal magnetic gradiometry (HMG), each mapping a total surface area of 2133 and 15,640 m2, respectively. The combination of 3D ERI and land HMG surveys was instrumental in rapidly mapping the horizontal and vertical extent of shallowly buried anomalies within a large area prior to the completion of the dam and the beginning of water impoundment. Based on the geophysical insights, the outline of several Caddo houses with functional internal and external features (e.g., burnt cooking surfaces, storage pits, refuse pits, fired soil, ditches, a dump site, and a compound fence) are thought to exist within the uppermost 2 m of the Quaternary stratigraphy at both sites. At site 41FN244, 3D ERI found numerous resistive anomalies surrounding a conductive anomaly, collectively interpreted as a group of post-holes surrounding the remains of a Caddo house’s inner clay floor. It also found a cluster of several resistive anomalies interpreted as midden or middens. The HMG survey carried across areas from which archaeological test units also yielded positive findings, at sites 41FN178 and 41FN244, identified numerous scattered monopolar and dipolar anomalies interpreted as post-molds of Caddo houses, compound enclosures or fences, and adjacent middens. Archaeological excavations guided by the geophysical results yielded significant cultural material and post-mold features at site 244, which validate the geophysical interpretation in a preliminary context. Additionally, several dispersed magnetic anomalies are thought to be shallowly buried hearths, burn cooking surfaces, storage pits, and ditches. The mapped magnetic anomalies agree with the location and distribution of previously found archaeological artifacts and the extent of resistive and conductive resistivity anomalies. Follow-up archaeological excavations of these geophysical anomalies have preliminarily confirmed interpretations.
Full article
(This article belongs to the Special Issue Unveiling the Past: Multidisciplinary Investigations in Archaeology)
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Open AccessArticle
Ultramarine Blue in Edvard Munch’s Collection: A Multi-Analytical Study of Early 20th Century Commercial Oil Paints
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Beatrice G. Boracchi, Eun-Jin Strand Ferrer, Margherita Gnemmi, Laura Falchi, Francesca Caterina Izzo and Irina Crina Anca Sandu
Heritage 2024, 7(8), 4027-4044; https://doi.org/10.3390/heritage7080190 - 31 Jul 2024
Abstract
The recurrence of specific deteriorating phenomena in blue paints used by Edvard Munch, observed more frequently from artworks from 1907 and onwards, calls for an analytical investigation of these paints. Ten commercial Ultramarine blue oil paint tubes from Munch’s studio materials were studied,
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The recurrence of specific deteriorating phenomena in blue paints used by Edvard Munch, observed more frequently from artworks from 1907 and onwards, calls for an analytical investigation of these paints. Ten commercial Ultramarine blue oil paint tubes from Munch’s studio materials were studied, employing a multi-analytical approach comprising ATR-FTIR, µ-Raman, GC-MS, and SEM-EDS techniques. This study aims to ascertain the composition of these industrially produced blue oil paints and shed more light on the potential implications for darkening and other deterioration phenomena observed in Munch’s artworks. The analyzed samples exhibited complex mixtures, characterized by significant presences of additives such as non-drying or partially drying oils, metal soaps, and preservatives. Moreover, extenders including clay minerals and white and other blue pigments were identified. Some compositions diverged from those indicated on the labels of the tubes. This study presents hypotheses regarding the causes of deterioration mechanisms observed in Ultramarine blue paints and outlines future perspectives and implications of darkening and other surface degradation phenomena in paintings from MUNCH’s collection towards best conservation and display practices.
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(This article belongs to the Special Issue Latest Trends and Challenges in the Study of Pigments and Dyes and Their Degradation in Cultural Heritage Objects)
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Open AccessArticle
A Royal Mystery: A Multianalytical Approach for Dyestuff Identification in Seventeenth Century Waistcoats
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Jane Malcolm-Davies, Beatrice Behlen, Natércia Teixeira and Paula Nabais
Heritage 2024, 7(8), 4017-4026; https://doi.org/10.3390/heritage7080189 - 31 Jul 2024
Abstract
Early modern materials are not well represented in dye and mordant analyses despite extensive documentary evidence suggesting the enormous demand for coloured fabrics, even among those below the elite. Non-wovens likewise receive less attention than woven textiles despite their ubiquity in the early
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Early modern materials are not well represented in dye and mordant analyses despite extensive documentary evidence suggesting the enormous demand for coloured fabrics, even among those below the elite. Non-wovens likewise receive less attention than woven textiles despite their ubiquity in the early modern historical record. Knitted garments, in particular, have rarely been subjected to dye analysis. One garment is noteworthy for its colourfulness, despite not being visible in formal wear. Men throughout society wore knitted undergarments known as waistcoats from the late sixteenth century. The waistcoats under investigation here are from the collections at the London Museum and the Grimsthorpe and Drummond Castle Trust, Scotland. They are made of silk and are now a pale blue-green colour. Small samples were taken from each and subjected to a series of analytical techniques: micro-Raman spectroscopy, UV-Vis microspectrofluorimetry, and high-performance liquid chromatography (HPLC) coupled with a mass spectrometer. Using this protocol, it was possible to characterise the dyes in the waistcoats by ensuring that maximum information was gleaned from a sample before it was exhausted.
Full article
(This article belongs to the Special Issue Dyes in History and Archaeology 42)
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Open AccessArticle
Identification of Social Status through Grave Goods Using a Biocultural Approach in Interpreting the Alpine Context of Borca Di Cadore, Belluno, Veneto, Italy (18th–19th Centuries)
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Lisa De Luca, Alessandro Asta, Pacitti Davide and Ilaria Gorini
Heritage 2024, 7(8), 3997-4016; https://doi.org/10.3390/heritage7080188 - 30 Jul 2024
Abstract
The cemetery of the Church of Santi Simone e Giuda in Borca di Cadore (Belluno province, Veneto region, Italy) was excavated between 2021 and 2023 as part of an archaeological intervention. The excavation area yielded a total of 21 graves dating back to
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The cemetery of the Church of Santi Simone e Giuda in Borca di Cadore (Belluno province, Veneto region, Italy) was excavated between 2021 and 2023 as part of an archaeological intervention. The excavation area yielded a total of 21 graves dating back to the 18th–19th century; this was intriguing due to the presence of grave goods and taphonomic indicators that allowed these burials to be interpreted as clothed burials. This contribution examines 14 of the 21 graves, representing the available sample considering preservation conditions. Fieldwork was carried out through close synergy between archaeological and anthropological methodologies, involving careful excavation to verify funerary rituals through taphonomic data analysis. Anthropological methods were applied to determine the biological profile of the individuals, while aspects related to their health status were investigated through paleopathological analyses. Data obtained from field and laboratory observations were cross-referenced with historical and anthropological-cultural data from bibliographic and archival research. Reconstructing the social status of the deceased within the burial context is crucial for understanding the social and cultural dynamics of past populations, achievable only through a biocultural approach integrating information from archaeology, cultural anthropology, and bioarchaeology. Modern burial contexts offer privileged realities due to abundant historical and anthropological-cultural documentation, allowing for a more precise contextualization of bioarchaeological findings with significant support from documentary sources. Studies applied to these periods closer to the present enable the continuous refinement of an investigative method attentive to the synergy of different aspects of biocultural research, enhancing the importance of this approach in reconstructing the life histories of populations.
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(This article belongs to the Special Issue Bioarchaeology in the Modern Era)
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Open AccessArticle
Heritage Education of Memory: Gamification to Raise Awareness of the Cultural Heritage of War
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Pablo Rosser and Seila Soler
Heritage 2024, 7(8), 3960-3996; https://doi.org/10.3390/heritage7080187 - 30 Jul 2024
Abstract
This study focused on the use of gamification, specifically the UrbanGame activity, to enhance heritage education related to the bombings of the Spanish Civil War in Alicante. The research aimed to evaluate the effectiveness of active methodologies in raising cultural heritage awareness among
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This study focused on the use of gamification, specifically the UrbanGame activity, to enhance heritage education related to the bombings of the Spanish Civil War in Alicante. The research aimed to evaluate the effectiveness of active methodologies in raising cultural heritage awareness among university students, particularly those in primary and secondary teacher training programs. The methods included the design and implementation of the UrbanGame, followed by surveys to collect quantitative and qualitative data on students’ perceptions, satisfaction, and learning outcomes. The results indicated that meaningful learning showed a positive trend towards content comprehension, and that motivation and concentration significantly influenced learning outcomes. Additionally, the UrbanGame activity promoted memory and cultural heritage by emotionally connecting students with local history, providing future teachers with innovative pedagogical tools for their teaching.
Full article
(This article belongs to the Special Issue Progress in Heritage Education: Evolving Techniques and Methods)
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Open AccessArticle
The Condition of Contemporary Murals in Sun-Exposed Urban Environments: A Model Study Based on Spray-Painted Mock-Ups and Simulated Light Ageing
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Varvara Marazioti, Antonios M. Douvas, Evangelia C. Vouvoudi, Dimitrios Bikiaris, Kyriaki Papadokostaki, Dimitrios Nioras, Evangelos Gogolides, Spyros Orfanoudakis, Thomas Stergiopoulos, Stamatios Boyatzis and Yorgos Facorellis
Heritage 2024, 7(8), 3932-3959; https://doi.org/10.3390/heritage7080186 - 30 Jul 2024
Abstract
The present work investigates the physicochemical stability of spray paints when irradiated with artificial solar light (at spectral range 300–800 nm). This research highlights the importance of understanding the materials used in street art and public murals, recognising them as a significant component
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The present work investigates the physicochemical stability of spray paints when irradiated with artificial solar light (at spectral range 300–800 nm). This research highlights the importance of understanding the materials used in street art and public murals, recognising them as a significant component of contemporary cultural heritage. By examining the stability and degradation of spray paints toward solar light exposure, the study aims to contribute to the preservation of contemporary murals, which reflect current social and cultural narratives. A physicochemical approach was employed for the study of spray paints’ physical and thermal properties, as well as the effect of specific photochemical ageing reactions/processes. The photochemical ageing results were compared with reference (unaged) samples. Specifically, a multi-technique approach was applied using stereo microscopy, scanning electron microscopy (SEM), atomic force microscopy (AFM), contact angle measurement, colorimetry, glossimetry, differential scanning calorimetry (DSC), UV-Vis spectroscopy, attenuated total reflectance-Fourier transform infrared spectroscopy (ATR-FTIR), and pyrolysis-GC/MS (Py-GC/MS). The photodegradation of the spray paints occurred from the first 144 h of solar light irradiation, resulting in changes in morphology, colour, gloss, roughness, and wettability. Regarding photochemical stability, ageing seems to affect the binders more than the synthetic organic pigments and the inorganic fillers. In particular, acrylic binders showed small chemical changes, whereas the alkyd, nitrocellulose, and styrene binders underwent severe chemical modification. The results suggest that simulated daylight irradiation prompts the migration of additives toward the surface of the spray paint films. In addition, the results of the analyses on the white spray paints in comparison with the coloured paints (from the same manufacturer) showed that there seems to be an active distinct photoageing mechanism involving titanium dioxide, but the whole issue needs further investigation.
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(This article belongs to the Section Cultural Heritage)
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Open AccessArticle
Characterization of Bloom Iron Smelting Site Remains in Pržanj, Slovenia
by
Jaka Burja, Barbara Šetina Batič and Daša Pavlovič
Heritage 2024, 7(8), 3919-3931; https://doi.org/10.3390/heritage7080185 - 25 Jul 2024
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This paper gives an overview of findings, connected with metallurgical activity, at the Pržanj archeological site near Ljubljana, Slovenia. More than 230 kg of slag and other remains connected with early medieval (from the 5th to the 12th century AD) metallurgical activities was
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This paper gives an overview of findings, connected with metallurgical activity, at the Pržanj archeological site near Ljubljana, Slovenia. More than 230 kg of slag and other remains connected with early medieval (from the 5th to the 12th century AD) metallurgical activities was found at the excavation site. The remains were grouped into four categories, i.e., furnace remains, ore, slag and a ferrous product, and analyzed in detail to obtain their chemical composition, microstructural characteristics, and mineral phase composition. The furnace wall remains, identified by their morphology and chemical composition, revealed an intensive iron processing activity at the site. The iron ore at the site was identified as goethite (FeO(OH)), a surprising find in Slovenia where limonite is typically used, and its presence suggests the potential exploitation of local bog iron ore, given the site’s geological context. Abundant slag remains at the site, identified by their shape, molten microstructure, and mineral components like wuestite, fayalite, and hercynite, indicated sophisticated smelting practices, including the use of CaO-rich materials to lower the melting temperature, a technique likely preserved from antiquity. Findings of ferrous products at ancient metallurgical sites are rare due to their value, but the discovery of a corroded iron bloom conglomerate at this site, initially mistaken for furnace remains, highlights the challenges in identifying small, corroded ferrous fragments that are often misidentified as ore. The results indicate extensive metallurgical activity at the excavation site, marking it as the first documented early medieval iron smelting production site in Slovenia.
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Open AccessArticle
On the Identification of the a fresco or a secco Preparative Technique of Wall Paintings
by
Georgia Ntasi, Manuela Rossi, Miriam Alberico, Antonella Tomeo, Leila Birolo and Alessandro Vergara
Heritage 2024, 7(8), 3902-3918; https://doi.org/10.3390/heritage7080184 - 25 Jul 2024
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The study applies both a minimal and an extended approach for a comprehensive picture of chemical components in wall paintings, including evidence of degradation. Pigments and ligands were characterized via a multi-methodological investigation, including optical microscopy, scanning electron microscopy, Raman micro-spectroscopy, GC-MS, and
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The study applies both a minimal and an extended approach for a comprehensive picture of chemical components in wall paintings, including evidence of degradation. Pigments and ligands were characterized via a multi-methodological investigation, including optical microscopy, scanning electron microscopy, Raman micro-spectroscopy, GC-MS, and LC-MS/MS. Particularly, the procedure was tested on wall paintings recently excavated from a Roman domus in Santa Maria Capua Vetere. The hypothesis of a very wealthy owner is supported by the evidence of a multi-layer preparation, a rich variety of pigments, and organic ligands (both terpenic resins and animal glue). The absence of calcite in the pictorial layer (via optical and Raman microscopy) and the presence of organic binders (via GC-MS and LC-MS/MS) clearly indicates the a secco technique.
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Open AccessFeature PaperEditor’s ChoiceArticle
From Settlement Abandonment to Valorisation and Enjoyment Strategies: Insights through EU (Portuguese, Italian) and Non-EU (Albanian) ‘Ghost Towns’
by
Fabrizio Terenzio Gizzi, Isabel Margarida Horta Ribeiro Antunes, Amélia Paula Marinho Reis, Salvatore Ivo Giano, Nicola Masini, Ylber Muceku, Eva Pescatore, Maria Rosaria Potenza, Carmen Corbalán Andreu, Annarita Sannazzaro, Giuseppe Palladino and Mario Bentivenga
Heritage 2024, 7(8), 3867-3901; https://doi.org/10.3390/heritage7080183 - 25 Jul 2024
Abstract
The abandonment of inhabited places is a phenomenon widespread on a global scale that has spanned centuries. It has led to the birth of the so-called ‘ghost towns’. These lifeless sites dot the internal Mediterranean and European areas, testifying to the changeability of
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The abandonment of inhabited places is a phenomenon widespread on a global scale that has spanned centuries. It has led to the birth of the so-called ‘ghost towns’. These lifeless sites dot the internal Mediterranean and European areas, testifying to the changeability of the human settlements. Through a vision that reverses the paradigm that epitomises the ‘ghost towns’, these places can be transformed from a problem into an opportunity for the development of the territories that host them. The main topic of this article is to present and update investigations performed on three abandoned settlements sited in Portugal, Italy, and Albania in view of their tourist exploitation, considering three different tailored strategies: underwater tourism, dark tourism, and heritage tourism. For each site, we analysed the site history, the abandonment causes, and the territorial-geological features, thus arguing for the possible valorisation and enjoyment approaches with special attention to digital technologies, which are highly underexploited in the sector. This study, which is part of an international research landscape still in the initial stages, falls within the BEGIN project (aBandonment vErsus reGeneratIoN), which aims to develop a multilevel methodological–operational protocol useful in regional, national, EU, and non-EU contexts for the dissemination of knowledge, conservation, regeneration, valorisation, management, and fruition of areas classified as a ‘ghost town’. The research findings can be useful for scholars, practitioners, and local entities entrusted to manage the abandoned towns. Furthermore, the methodological approach followed in this research can supply useful insights into aims to valorise and enjoy worldwide ‘ghost towns’.
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(This article belongs to the Special Issue New Approaches for Geoheritage Management and Geo-Conservation)
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Open AccessArticle
Sustainable Conservation of Architectural Heritage to Reduce Environmental Impact: The Morocco Pavilion on Cartuja Island in Seville
by
Manuel V. Castilla and Francisco Lopez
Heritage 2024, 7(8), 3851-3866; https://doi.org/10.3390/heritage7080182 - 24 Jul 2024
Abstract
The architectural heritage of a particular place, in most cases, is characterised by vernacular and unique constructions that have been adapted to local climate conditions. For this purpose, specific materials and construction methods have traditionally been used that, in addition to the durability
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The architectural heritage of a particular place, in most cases, is characterised by vernacular and unique constructions that have been adapted to local climate conditions. For this purpose, specific materials and construction methods have traditionally been used that, in addition to the durability of the construction, also allow for the consideration of the energy efficiency of the building itself. The present intersection of climate change and architecture has led to new exposure to the external agents for which constructions were designed, forcing, in most cases, a review of building envelopes and very costly proposals. From the point of view of efficiency, intervention strategies with passive measures are proposed that not only improve the energy performance and maintenance of buildings themselves, but also lower the overall energy consumption. Using a heritage case study of the city of Seville, the Moroccan Pavilion, at Expo 92, this work includes an analysis and proposal of effective action through a methodological study of energy efficiency. The problem of high energy consumption during the summer months in Seville is tested in the Pavilion. The results indicate an urgent need for renovation, and among different options, new intervention measures are recommended as an alternative to consumption based on knowledge and tradition; moreover, passive construction elements are proposed in accordance with the climatic reality of the environment for optimal conservation in new climate scenarios.
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(This article belongs to the Special Issue Conservation Methodologies and Practices for Built Heritage)
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Open AccessArticle
Earthen Architectural Heritage in the Gourara Region of Algeria: Building Typology, Materials, and Techniques
by
Younes Kassou, Djamel Alkama and Soumia Bouzaher
Heritage 2024, 7(7), 3821-3850; https://doi.org/10.3390/heritage7070181 - 19 Jul 2024
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This article investigates the status of earthen architectural heritage (EAH) in the Gourara region of Algeria in light of contemporary developments and the sovereign decisions taken by the Algerian state, specifically the upgrading of the region to a wilaya (province) in 2019, and
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This article investigates the status of earthen architectural heritage (EAH) in the Gourara region of Algeria in light of contemporary developments and the sovereign decisions taken by the Algerian state, specifically the upgrading of the region to a wilaya (province) in 2019, and the accompanying direct impact on the oasis system, which is renowned for its fragile character. The research started by focusing on perplexing questions: What factors contribute to the region’s abandonment of earthen architecture? Moreover, could documentation serve as the optimal method for its preservation? In an attempt to explore and comprehend this distinctive heritage, characterized by its diversity, durability, and sustainability, this heritage has been linked to identity and local civilization dating back to prehistoric times, with evidence of their existence still present. Following a research approach and with the prospective purpose of preserving these buildings and what remains of them, the associated skills, materials, and construction techniques used in their development were investigated based on a descriptive, analytical, and documentary historical approach. Finally, the authors interviewed several qualified builders to collect knowledge of the local indigenous building practices. The research findings suggest that there is an urgency to consider a new perspective and strategies to preserve and protect EAH.
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Open AccessSystematic Review
Artificial Intelligence at the Interface between Cultural Heritage and Photography: A Systematic Literature Review
by
Carmen Silva and Lídia Oliveira
Heritage 2024, 7(7), 3799-3820; https://doi.org/10.3390/heritage7070180 - 17 Jul 2024
Abstract
Artificial intelligence has inspired a significant number of studies on the interface between cultural heritage and photography. The aims of these studies are, among others, to streamline damage monitoring or diagnoses for heritage preservation, enhance the production of high-fidelity 3D models of cultural
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Artificial intelligence has inspired a significant number of studies on the interface between cultural heritage and photography. The aims of these studies are, among others, to streamline damage monitoring or diagnoses for heritage preservation, enhance the production of high-fidelity 3D models of cultural assets, or improve the analysis of heritage images using computer vision. This article presents the results of a systematic literature review to highlight the recent state of these studies, published in the last five years and available in the Scopus, Web of Science, and JSTOR databases. The aim is to identify the potential and challenges of artificial intelligence through the connection between cultural heritage and photography, the latter of which represents a relevant methodological aspect in these investigations. In addition to the advances exemplified, the vast majority of studies indicate that there are also many obstacles to overcome. In particular, there is a need to improve artificial intelligence methods that still have significant flaws. These include inaccuracy in the automatic classification of images and limitations in the applications of the results. This article also aims to reflect on the meaning of these innovations when considering the direction of the relationship between cultural heritage and photography.
Full article
(This article belongs to the Special Issue The Use of Artificial Intelligence in Cultural Heritage Studies—Threats and Opportunities)
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